Czech Contemporary Quilt: Work by 13 leading Czech quilt artists on view in the U.S. for the first time

Czech Center New York presents Czech Contemporary Quilt, a cross-sectional exhibition, which charts the development of Czech artists working in this textile discipline, which was practically unknown in the Czech Republic just 20 years ago. Works by thirteen best women quilt artists will be on view June 30th – September 2nd, 2022. Curated by Jana Štěrbová and following a number of exhibitions in Europe, this exhibition marks the first time that the best Czech artists will be presented to American audiences.

 Despite being present on the world stage for less than 20 years, contemporary Czech quilting has become increasingly recognized in Europe and beyond. From the perspective of the American and Western-European quilting public, the start of Czech quilting in the early 2000s -- without any traditions; without an established system of clubs, associations, regular meetings, and exhibitions; and without museums and galleries as a backdrop – may seem baffling, however, Czech women artists had everything they needed: sewing machines, plenty of fabrics, and a high level of skill, and they were used to designing and improvising themselves. It was enough for them to take a few basic courses, learn from the experiences of those who had encountered patchwork before when they were abroad, read the first available magazines and books, and learn from their first interactions with neighbors across open borders.

The first Czech quilts were purely classic in nature complete with patchwork tops, but very soon some of the more creative artists switched to modern quilts. Massively organized courses across the Czech Republic brought up both new makers and trainers in a matter of a few years. Czech women began traveling to foreign exhibitions and gradually discovered a whole range of quilts from traditional to more modern styles. In 2007, Prague hosted its 1st Annual Prague Patchwork Meeting (PPM), an international exhibition that definitively connected Czech female quiltmakers with the outside world and, for the first, time showed foreign visitors Czech works. Bilateral inspiration, the increasing number of quilts on display, and thousands of visitors helped catapult the PPM and Czech quilting to the top European level in less than 10 years after the actual start of quilting in the country. 

And the next chapter was written by modern Czech quilting. Europe began to appreciate new female quilt artists from the Czech Republic, the most prominent of whom received their first invitations for solo presentations at prestigious events, as well as cross-sectional collections for the whole Czech Republic. The motivation to create, experiment with new materials, and design original works was supported by the PPM exhibition and its associated circle of Art Quilt Club members who held beginner's courses in special techniques and incorporated foreign innovations.

 The success of Czech quilting is due to the strong, individual stories of women artists. Without their constant work on new projects and their willingness to exhibit their works and further pass on their knowledge, the Czech quilt would not be represented in so many international collections and in private and museum collections, including in the US. Czechs are also represented in the prestigious SAQA organization. 

 Participating artists: Bára BartošováEva BrabcováIva BrzákováRomana ČernáRenata Edlmanová,  Helena FikejzováJana HaklováNaďa HarbichováMirka KalinováJana LálováVěra SkočkováJana Štěrbová, and Irena Zemanová. Exhibition is presented in collaboration with Brno Quilt Show and supported by SAQA. More information: Czech Center New York website.

Crafting Fashion for Possible Futures at the Austrian Cultural Forum New York | June 24-September 8, 202

SUSANNE BISOVSKY © BERND PREIML

What can fashion design really do right now? is the intrinsic question that arises in a time of chronic political, environmental, health, and social struggles amidst lingering fears of an imminent crisis.

 With the exhibition Crafting Fashion for Possible Futures, curated by Camille Boyer and Miriam Kathrein for the Austrian Fashion Association, the Austrian Cultural Forum New York presents for the first time a comprehensive overview of contemporary Austrian fashion design and shows that design holds the potential for change and possible, better futures.

The exhibition focuses on the working methods of professional fashion design practitioners who are concerned with their responsibility in the socio-political, socio-cultural, and socio-economic realm. Their respective fashion design practices explore and investigate fields of identity politics, activism, sustainability, or the interdependency of traditional production processes and new technologies.

KIDS OF THE DIASPORA © ERIC ASAMOAH

 Some of the designers on show recraft the cultural, employing intangible and material resources; some use deadstock that remain as a result of overproduction in the textile industry; through the act of making, others challenge the obsolete power structures in place and denounce a neo-colonialism ubiquitous both in our western societies and most fashion mega-corporations; some champion community and identity, give visibility to minorities, and create platforms for the non- and under-represented; others de-seam—in the literal meaning of the word—masculinity and interlace the demand of intersectional feminism into the wearable.

All the designers presented in the exhibition instigate change through their daily practice. Their acts give form not only to garments and textile artifacts, but also to a social fabric full of optimism, solidarity, and hope.

With: Alessandro Santi, amaaena, Dead White Men’s Clothes, Flora Miranda, House of the Very, Hvala Ilija, Julia Koerner, Kids of the Diaspora, Larissa Falk, Matthias Winkler, Mühlbauer, Published By, rudolf, Susanne Bisovsky.

DEAD WHITE MEN’S CLOTHES © JOJO GRONOSTAY

KARLYN SUTHERLAND | Articulated Atmospheres at Heller Gallery, June 10 – July 15, 2022

Architects & Artisans has interviewed Scottish architect and artist Karlyn Sutherland about her work and solo exhibition at Heller Gallery in New York.

“Architect and artist Karlyn Sutherland discovered the power and magic of the hand sketch at an early age.

In high school I always enjoyed drawing – hand drawings to represent spaces.,” the Scottish architect with a masters and PhD from the University of Edinburgh says. “And I had an understanding of optical illusions.’

Now she pairs drawing and optical illusions for a dialog that pulls in different directions. ‘I’ll do a sketch with a foreground, middle ground, and background – and then interpret that in glass,’ she says.

She focuses on a longstanding interest in the connection between memory and place, with a response to the atmosphere created by the play of light and shadow within architectural forms”. Read more.